Japanese ornamental plants. Japanese flowers in the landscape of a summer cottage: tips for choosing. Beautiful children of the earth

For Japan, such beautiful flowers as sakura and chrysanthemum are national symbols. The beauty of these flowers can evoke strong emotions. The tradition of contemplating the beauty of nature has taken root in the Japanese mind and has become an integral part of the culture of this country.

Apart from national symbols chrysanthemums and cherry blossoms, the Japanese give special meaning and meaning to many other flowers. In this country, it is customary to give flowers to both women and men. Such a gift is often used to express what cannot be said in words.

The Japanese have a special term for the "language of flowers" - hanakotoba (hanakotoba, 花言葉). "Hana" means "flower" in Japanese. Nowadays, this art is gradually fading away, and many Japanese are not even aware of the traditional meaning of the flowers they buy and give. However, the Hanakotoba language often features in modern pop culture, such as in genres such as manga and anime. Also, the tradition of hanakotoba is actively used in floristry. The Western tradition also has its own language of flowers, and the transcripts sometimes diverge from the Japanese.

1. Rose red / Akaibara (赤い薔薇)

Japanese meaning: Romance

Western meaning: Romance

2. Carnation / Kaneshon (カーネーション)

Japanese meaning: love, red carnations are a traditional Mother's Day gift.

Western Meaning: Western culture has a wide variety of meanings for this flower, depending on the color. For example, red carnations symbolize romantic love, while yellow carnations represent rejection.

3. Amaryllis / Amaririsu (アマリリス)

Japanese meaning: modesty

Western meaning: pride

4. Rose white / Shiroibara (白い薔薇)

Japanese meaning: purity, silence, fidelity

Western meaning: virtue and chastity

5. Rose yellow / Kiiroibara (黄色い薔薇)

Japanese meaning: envy, jealousy

Western meaning: friendship and devotion

6. Tulip red / Akaichurippu (赤いチューリップ)

Japanese meaning: glory

7. Tulip yellow / Kiiroichurippu (黄色 チューリップ)

Japanese meaning: unrequited love

Western meaning: unrequited love, hopeless love

8. Primrose / Sakuraso (桜草)

Japanese meaning: despair

Western meaning: eternal love

9. Sweet pea/ Suitopi (スイートピー)

Japanese meaning: farewell

Western meaning: -

10. Bell / Buruberu (ブルーベル)

Japanese meaning: gratitude

Western meaning: gratitude

11. Cactus flower / Saboten no hana (さぼてんの花)

Japanese meaning: lust

Western meaning: motherly love

12. Red camellia / Tsubaki (椿)

Japanese meaning: If you are not a samurai, the scarlet camellia symbolizes love.

13. Yellow camellia / Tsubaki (椿)

Japanese meaning: longing desire

Western meaning: exceptional craftsmanship

14. White camellia / Tsubaki (椿)

Japanese meaning: longing

Western meaning: exceptional craftsmanship

15. White chrysanthemum/Shiragiku (白菊)

Japanese meaning: truth or sadness (main funeral flower)

Western meaning: death and grief

16. Daffodil pale yellow / Suisen (水仙)

Japanese meaning: respect

Western meaning: chivalrous feat and unrequited love

17. Rose pink / Pinku no bara (ピンクの薔薇)

Japanese meaning: trust and happiness

Western meaning: grace

Japan is a country of mysteries, an amazing culture, long time closed to the West. The development of Japan proceeded completely independently and parallel to the development of European civilization. And only in the XIX century the Meiji era came, which marked the rejection of self-isolation and the openness of the Land of the Rising Sun to the outside world. It was then that there was a massive interest, even a fashion among Europeans for everything Japanese. Japanese painting gave impetus and determined a special direction in the development of Western art. The paintings of many impressionists and post-impressionists were created under the influence of the famous Japanese prints. The Art Nouveau style that spread in Europe also borrowed a lot of details from the unique Japanese culture.

For people who want to bring beauty into their existence, the Japanese view of the world must be close and interesting. For the Japanese, in principle, an aesthetic approach to the surrounding reality plays a huge role in life. They know how to admire the rising sun, falling snow, cherry blossoms. unhurried contemplation fleeting beauty of the transient world is one of the favorite pastimes of the inhabitants Japanese islands, reflected in their amazing poetry - haiku. However, the style of Japanese interiors remained incomprehensible to Europeans for a very long time, its elements were not very widely used in design. It has only been since the rise of minimalist design that many decorators have adopted the techniques used in Japanese interior.

The fact is that the main thing in home improvement for the Japanese is amazing conciseness. Those. there is practically no furniture in the room, wardrobes, carpets, sofas - all this is unacceptable for a Japanese-style interior. A single standing bed - tatami, like all furniture, must be low. The materials used in the decoration are exclusively natural: wood, stone, cotton and hemp. Bright colors are also unacceptable, clean lines, natural colors - that's what the interior in this style is based on. Screens illustrated with Japanese-style engravings are widely used. The Japanese interior is characterized by symmetry, the use of calligraphy, simple, elegant forms and soothing tones of the color palette.

Speaking soberly, obviously, not every European will like empty rooms and bare walls. Of course, there are lovers of minimalism who readily reproduce the features of a Japanese home in their apartment. But for most of us, the oddities of the Japanese interior will remain incomprehensible, because we expect comfort from our home, first of all. And to find it in a huge, undecorated space, you have to be Japanese. After all, even various accessories, little things and trinkets that bring individuality and warmth to a European's home are unacceptable for a Japanese interior. However, a huge number of lovers of Japanese culture are very happy to use individual design elements. Japanese house. After all, you can create an interior stylized as Japanese, which will be cozy in a European way, but with all its details will remind you of the culture of the Land of the Rising Sun.

Such interior elements will be Japanese engravings - either reproductions of works by great masters (for example, Katsushika Hokusai and others), or simply pictures drawn in the Japanese style. A branch of cherry blossoms, like nothing else, will remind you of distant Japan in the midst of a harsh Moscow winter. You can put an image of sakura on the wall or use flowering plants reminiscent of cherry blossoms in vases. To give your interior a Japanese spirit, you can use the colors characteristic of Japanese design: dark, but not massive furniture, doors that resemble the doors of a Japanese dwelling. However, one of the most important details, with which you can bring the spirit of Japan into your apartment, of course, will be houseplants.

In fact, Japanese-style houseplants are not widely used. But if we create a stylization for a Japanese interior, it is home flowers that will most remind you of the nature of the Land of the Rising Sun.

Naturally, the most logical way to decorate a Japanese interior would be to use plants grown using the technique of magnificent Japanese art - bonsai. They can be placed on separate Japanese-style stands on a table in the center of the room. The easiest option would be to buy finished plants grown in flower farms. But if you have time, and, most importantly, enthusiasm, it is quite possible to grow your own tree.

For interior decoration in Japanese style, it is best to use those plants that grow in Japan.

Of course, those plants that grow in Southeast Asia are very appropriate in the Japanese interior. And the most beautiful and fashionable among them, of course, can be called everyone's favorite phalaenopsis. Caring for this plant is simple, it can be placed even in the back of a bright room. No less suitable, but more difficult to care for, will be other orchids, for example, vanda, cumbria, etc.

A room reed is very suitable for a Japanese-style interior - a pogonatherium plant, which will allow you to reproduce in reality the bamboo branches often found in Japanese engravings. Even more reminiscent of bamboo is the now very common dracaena Sander, which is sometimes called that - good luck bamboo. Perhaps you will get it in the form of spirally curved stems with leaves on top or in the form of intricate pyramids. Either way, this plant is extremely hardy and will bring the most Japanese vibe to your home.

Fits great in japanese design fatsia, its specific name is unambiguously of Japanese origin. In addition, the carved Fatsia leaves are very reminiscent of Japanese maple leaves, often found in the engravings of Japanese masters. In this sense, it would be quite appropriate indoor ficus microcarp. It can be grown in the style of a bonsai plant. But even if you bought it in a store with funny thickened roots, it will still fit perfectly into your Japanese-inspired interior.

In conclusion, I would like to add that the abundance of plants, as well as an excessive amount of furniture and accessories, is still inappropriate for a room in which we want to see a trend of Japanese style. Simplicity and conciseness are an invariable attribute of the room, the design of which is inspired by the culture of Japan.

In the Japanese garden, little attention is paid to plant diversity, and even more so to overseas, rare or valuable species. The Japanese gardener is more of an artist than a gardener or botanist.

Plants for Japanese garden they are selected and mixed by him like strokes of paint on a large canvas, and not like separate tubes of paint, albeit a very expressive color, packed in a box. Preference is always given to local, Japanese species of trees, shrubs and herbs.

Conifers - namely, in most cases, pines - most often form the plant basis of the Japanese garden. Of the dozen species of pines wildly found in Japan, two are most commonly used - Thunberg pine (Pinus thunbergii, in Japan called Kuromatsu - black pine) and dense-flowered pine (Pinus densiflora, known in Japan as akamatsu - red pine).

The first in nature grows along the seashores on rocky cliffs. Its trunks, often twisted under the force of the wind, take on the most bizarre forms, it is unpretentious and durable.

The second is found in the forests that cover the hills in the interior of the country, it is more demanding and subtle, personifies the feminine, and looks next to the black pine like a pampered girl next to an experienced, weathered sailor. Both pines are rarely left in gardens in their natural state and are often "tamed" by shearing, pruning, plucking "extra" needles and other, sometimes serious violent operations. As a result, a tree of a given shape, a “correct” appearance is formed, and from young tree it may turn out to be “old” before the deadline with all its inherent features: a multi-storey crown, flat or lowered side branches and a bizarrely curved trunk.

Of the deciduous tree species, the undisputed primacy in the Japanese garden belongs to maples, and among them the most revered is the elegant and small-leaved palm-shaped maple (Acer palmatum, yamamomiji), its varieties and varieties. Maples, if they are sheared, are cut in such a way that this could in no case be suspected (as in the art of bonsai): they are good precisely in their natural state, as well as at any time of the year.

Needless to say, sakura (the collective name for many species and hybrids of the genus Prunus), the iconic tree of the Japanese, is grown everywhere for the sake of a brief - no longer than a week - but extremely expressive spring flowering. Sakura is also never cut, allowing it to take on a natural shape.

In the almost subtropical climate of Kyoto, where most of the Japanese gardens all styles, numerous evergreens thrive deciduous trees and shrubs, thanks to which the appearance of the gardens does not fundamentally change throughout the year. Among them, the most numerous are small-leaved azaleas. They are often the structural plants of the garden - it is they who are sheared in balls and waves, and often to the detriment of the abundance of flowering. Whereas a free-growing azalea blooms so wildly that no leaves can be seen, a sheared cushion, when the time comes, is only “sprinkled” with individual flowers.

Following azaleas in popularity are blooming in early spring camellias (of which the most beloved by the Japanese is camellia sasanqua (Camellia sasanqua, sazanka). Of the autumn flowering evergreen shrubs, fragrant osmanthus (Osmanthus fragrans var. auranticus, kin-mokusei) stands apart, which can most often be seen in Japanese temple gardens - sometimes in free However, no one needs to be reminded that the osmanthus has blossomed - its divine smell itself reminds of itself, filling the gardens and adjacent streets in calm weather.

Different types of bamboo are often used in Japanese gardens, not only as construction material for buildings, all kinds of fences and fences, umbrellas, musical instruments and tubes through which pure water flows into the stone thicket in the tea garden, but also as an ornamental plant (especially in southern regions countries).

Not only the graceful forms and silhouette of bamboo are valued, but also the sounds - the soft noise of leaves and the dull thud of trunks swaying in the wind. Bamboos, the vast majority of which, unfortunately, do not hibernate in Japan, are also represented in Japan by giants 10 m tall with a stem thickness of up to 15 cm and dwarfs no higher than the ankle, which are used in Japanese gardens as ground cover plants and even cut like a lawn .

In the Japanese garden, where strictness and control reign, where every fallen leaf, every needle is immediately swept away with a special broom, only a few plants are allowed to litter around them: sakura petals that have fallen on the moss, camellia flowers and maple leaves are considered garden decoration; Falling osmanthus flowers covering the ground with an orange carpet are not removed for a long time, because then a thick and languid powdery note is added to the already stunning peach smell.

Plants in Japanese gardens

Plants are undoubtedly the most important element any garden. But with the placement of plants in a Japanese garden, one must be very careful. Any overkill can negatively affect the overall perception of the garden, and even completely negate all efforts to create it. However, this does not mean that we should plant one tree and surround it with stones. Although such an option on a small piece of land will look Japanese. If you plan to give a fairly large part of the site for a Japanese garden, you need to consider alternating “emptiness” and “thickets”.

In Japanese gardens, it is very rare to find variegated plants or bright flowers. Much greater value have different shades of green, a combination of shapes and textures, a play of light and shadow. In addition, Japanese gardens should look attractive not only in summer, but also in other seasons, accents should change each other, creating a series of paintings. Think about how this or that corner will look like, for example, in winter, when there are no leaves on the trees, and leading role start playing coniferous trees and shrubs, gazebos and lanterns, picturesque graphics of branches covered with frost or snow? Where will maples or spindle trees flash with bright colors in autumn? What in the garden will attract your attention at dawn or at night?

The choice of plants for Japanese-style corners is not so small. But you should not get carried away with planting real "Japanese" trees and shrubs, since many of them are not winter-hardy enough for central Russia. And even if the plant does not die, then constant freezing-burning will spoil the look of the garden from year to year, and, as a result, we will never see the picture that we planned. Another argument in favor of winter-hardy plants is the need to shelter sissies. Many of us live in the garden all year round, and the sight of "white mummies" on the site will not add to its beauty in autumn-winter period. Plus, if you overdo it with shelter, the plant can rot in the winter, various fungal infections form on it.

So, the first group of plants that we will consider is woody. As a rule, spring in Japanese gardens is associated with sakura. This tree is the personification of purity, prosperity, perseverance, and even a symbol of Japan itself. Many Japanese gardens open during its flowering period, the short duration of which further enhances the effect. But sakura is not a specific tree, but rather a collective image that includes some types of cherries, plums, bird cherry. Those that grow in Japan itself are not suitable for Russia. However, the flowering of many of our species is in no way inferior in beauty to the Japanese. So, a worthy replacement for sakura in our climate can be Sakhalin cherry (quite tall tree), felt cherry (a small tree or bush), some varieties of ornamental apple trees (for example, Nedzwiecki's apple tree), louiseania, Ledebour's almond, or even steppe almond. Magnolia would also look good as a replacement. Only varieties need to choose the most resistant for the middle band and with pink flowers.

In autumn, maples play the role of the first violin. Undoubtedly, Japanese maples are unusually good. Some of them are successfully grown in Russian gardens. But still, it is a certain risk. If you still decide to stay on the Japanese maple, pick it up a good place: warm, protected from the wind, preferably near a pond. The first years of Japanese maples for the winter is better to cover.

If you don't want to risk it, there are a few worthy replacements that can be suggested. First of all, it is a maple of false sibolds. Its foliage is so similar to the leaves of Japanese maples that it is easy to confuse them at a cursory glance.

True, the shape of this maple is not “Japanese”, which, however, can be corrected by proper pruning.

The Manchurian maple, on the other hand, has a very beautiful crown, but the leaves themselves differ in shape from the leaves of Japanese maples.

However, it is not noticeable from a distance.

Finally, silver maple can also be used as an alternative. But he has a big drawback - he grows into a huge tree. Therefore, such a maple can be planted only with a certain amount of space.

In winter, the leading role passes from maples to conifers, first of all, to pines. Some types of Scots pine and mountain pine are suitable for the formation of garden niwaks. Of course, this can take years, but the formed plants can be bought in garden centers. They are usually not cheap, but you immediately get beautiful view. In addition, there should not be many nivaki on the site, one beautifully formed tree in a decent environment is enough.

Another "Japanese" plant is bamboo. Unfortunately, in our conditions it does not grow, with the exception of some species, as a rule, very low ones. For example, saza. Of course, in winter, the aerial part of it dies off, and in the spring you have to wait for new stems to grow. But if you choose for her good conditions, during the season saza can grow up to one and a half meters.

The second option is fargesia. In winter, it must be covered, at least in the first years. But if you create suitable conditions for fargesia, some of its species can grow up to three meters (Fargesia nitida).

And yet it is not so easy to make dense thickets of high bamboo here. The way out in this situation can be planting a tree such as a willow. In some of its species, the leaves are very similar to bamboo leaves. For example, willow Schwerin improved. However, it must be borne in mind that this is a large tree, and only young shoots have similarities with bamboo. Therefore, if you choose Schwerin willow as a substitute for bamboo, it will have to be cut every season into a stump.

Bamboo trunks are also very similar to Sakhalin mountaineer trunks. You can cut off the lower leaves and get completely bamboo "thickets". But this is an aggressor, you have to be very careful with him. You can use the Sakhalin mountaineer only where its sprawl will not interfere with other plants and where enough space will be allotted to it.

A bit reminiscent of bamboo buckthorn Fine Line. Its thin long leaves and columnar crown from a distance give the plant a resemblance to bamboo, and high winter hardiness allows you not to suffer with shelter and quickly get the desired result. In autumn, the buckthorn turns into a beautiful yellow. The only nuance that needs to be considered is the undergrowth plant. Therefore, in full sun, buckthorn does not feel well: the leaves become smaller, often dry. It is better to plant it in a shady place, protected from the winds and, ideally, where there is good humidity.

The second group of plants are shrubs. Here the choice is more varied.

First of all, these are rhododendrons and azaleas. The choice of suitable varieties and the choice of planting site must be approached very carefully. Not all rhododendrons tolerate our winters well (especially evergreen ones), but many have taken root well in our gardens and delight with their flowering even after rather harsh winters.

Deciduous varieties are more suitable for Japanese gardens. Their “poetic clumsiness”, more delicate and graceful, compared to evergreen rhododendrons, foliage is quite in the spirit of a Japanese garden. In addition, they hibernate better, and they do not need to be covered. But they better find a good place. All rhododendrons love moist air and do not tolerate drying out of the root system. Therefore, it is better to plant them near water bodies, and mulch the ground with either coniferous litter or pine bark. And, of course, water during dry periods. Responsibly, you need to approach directly the planting of rhododendrons itself. They love light and acidic soil. Therefore, if the site is solid clay, rhododendrons will not grow on it. It is necessary to find a place higher, and replace the earth with sour peat.

The "hilly" surfaces of azaleas look very attractive in Japan.

However, these plants are more tender compared to rhododendrons, and in central Russia they need shelter for the winter. Covering one or two bushes is easy, but covering ten is already a problem. In addition, for six months a year we will have to admire the covering material. Therefore, it is not worth creating “shorn hills” from azaleas. Boxwood is not suitable for this role either, although in more southern regions its use will come in handy. Many of us successfully grow boxwoods, but there is always a risk of losing plants.
Best suited for such purposes are low summer-flowering spireas or barberries, from which you can form “pillows”, “waves”, “hills”, cutting them under hemispheres floating on top of each other. Spireas, among other things, will also delight you with a long and bright flowering.

Also for these purposes, Stefanander incised Crispa is suitable.

Unusually good is both the form and the autumn coloring of the euonymus. The winged euonymus stands out especially. You can also make nivaki out of it.

But the European one is very beautiful.

The next group of plants are perennials. In Japan, they are used quite limitedly, but an exception is made for some.

First of all, these are irises, the leaves of which symbolize the swords of the samurai. They look best in large groups, near water bodies or zigzag bridges. yatsuhashi. Japanese irises are grown in Japan, but in our conditions it is worth replacing them with Siberian irises, which are more resistant.

Sometimes bearded irises are also suitable.

The second most important plant among perennials is chrysanthemum. This flower decorates the garden in autumn, as if radiating the last rays of the sun of the past summer. The chrysanthemum is a symbol of the sun and can often be seen in Japanese prints.

In addition to irises and chrysanthemums, some hostas, astilbes, volzhankas and other shade-loving people will be quite appropriate in Japanese gardens. They are also best placed in groups near water bodies or in shady corners.

Mosses and ferns belong to a special group. Of course, such ideal conditions for them, as in Japan, it is very difficult to achieve, unless the site is located in the forest. But in any garden there is a shady, damp corner where these plants will feel comfortable.

Mosses and ferns are not demanding on soils, but prefer a slightly acidic reaction. Therefore, if you want to “age” a stone by covering it with moss, pour it with sour milk or kefir. Mosses can give “aging” not only to a stone, but also to a certain corner, and even to the entire garden. They soften the contours of paths and stones, bring the aroma of the forest, you want to touch them - they look so much like a velvet carpet. But the fact that moss can be found in the forest, growing by itself, does not mean that in the garden it will not require care. Weeding, cleaning fallen leaves in the fall are vital for him. And, of course, the most important thing for moss is watering. If the place is shady, then it is necessary to water only during dry periods. If the sun gets there, especially midday, watering should be almost daily. You can often see a picture when the moss turns brown in summer and dries up. This is mainly due to dry weather. However, in autumn it is restored and again pleases us with emerald greenery, up to the establishment of snow cover.

There are times when a moss carpet is needed for sunny place. In this case, various ground cover plants: stonecrop, thyme, kotula, saxifrage, bryozoan, etc. You can plant and lawn grass, but in this case, the area should be large enough, the slopes (if it is hills) relatively gentle, and not too many plants or stones, so that mowing the lawn is not too difficult.

Japan is a distinctive and unique country. For centuries, it developed closed from Western culture.

Of course, Japan has its own the language of flowers based on ancient Japanese traditions. It is called Hanakotoba. Hana in Japanese means flowers, a symbol of life and love.

Hanakotoba used not only in the preparation of bouquets of flowers. This language of flowers is deeply embedded in Japanese culture and traditions. Symbols Hanakotoba can be seen in many Japanese movies, cartoons, anime. For example, in the famous movie Takeshi Kitano "Fireworks"(international film title HANA-BI: HANA- flowers, BI- the fire). Without knowledge Hanakotoba Western viewers find it difficult to understand this film.

And, of course, greeting cards in Japan should be chosen taking into account Hanakotoba.

In this topic, we will try to talk about the symbols of the Japanese language of flowers. Hanakotoba. Some plants and flowers used in Hanakotoba are practically unknown to us. They grow only in Japan and Southeast Asia. Therefore, it is possible "difficulty in translation". As our great poet said: "... Sorry Shishkov, I don't know how to translate."

Sakura- kindness, courtesy, nobility.

Daisies- faith, honesty, promise.

Cactus- craving, lust, sex.

Ipomoea or morning glory, morning glow- false promises.

Dahlia - good taste.

Iris- good news, joyful news.

Lotus- to be away from your love, purity, chastity.

yellow daffodil, or false daffodil- respect.

Narcissus- self-respect.

Hydrangea- pride, self-esteem.

Chrysanthemum yellow- imperial, supreme, majestic, magnificent.

The yellow chrysanthemum is the flower of emperors. The 16-petal yellow chrysanthemum is depicted on the seal of the Emperor of Japan. The Order of the Chrysanthemum is one of the highest awards in Japan. Chrysanthemum is often depicted on Japanese coins and emblems.
The chrysanthemum flower was the symbol of Japanese kamikaze pilots.
Photo: Audrey.

Chrysanthemum white- truth.

The four-leaf clover is a symbol of good luck not only in Japan, but also in almost all Western countries.

forget-me-not- true love.

Honeysuckle- generous, generous, noble.

Japanese honeysuckle ( Lonicera japonica Thunb.).

Carnation- disappointment, disappointment.


Gardenia- secret love.

Gardenia jasmine ( Gardenia jasminoides George)

Jasmine- friendly, pleasant, graceful, graceful.

Jasmine white ( Jasminum officinale L.), or medicinal, or real.

Japanese jasmine or yellow jasmine ( Jasminum mesnyi Hance).

Pansies- sensitive, caring, attentive, immersed in reflection, thoughtful.

pansies called violet tricolor ( Viola tricolo r L.) in the photo on the right and Wittrock's violet ( Viola x wittrockiana Gams ex Hegi).
Photo: Cbaile19.

Sweet pea- goodbye, goodbye!

Sweet pea variety "Painted Lady".

Verbena- cooperation, interaction, cooperation, consistency.

Violet- honesty.

Fragrant violet ( Viola odorata L.)

Anemone or Anemone- sincerity, honesty, directness.

Japanese anemone or Hubei anemone ( Anemone hupehensis var. japonica Thunb.)


Hibiscus- affectionate, gentle.

Chinese hibiscus ( Hibiscus rosa sinensis L.).
Variety "Kyoto Red".

Camellia red- love.

Camellia japonica ( Camellia japonica L.) variety "Somersby".

Camellia yellow- longing, longing.

Camellia Japanese grade "Jurys Yellow".

camellia white- expectation.

Camellia japanese variety "Wark"s White Single".

Peony- courage, bravery.

Peony variety "Mons. Jules Elie"

poppy red- cheerful, joker.

poppy white- joy, fun, celebration.

poppy yellow- success.

mistletoe / holly or holly- in search, expectation (meaning the search for one's "half" for a lonely person).

Mistletoe ( Viscum album L.).

Holly Holly ( Ilex aquifolium L.).

Zinnia- loyalty and fidelity.

Lily of the valley- dear, beloved, in love.

Freesia- young, young, childish, childish, frivolous.

Freesia symbolizes childhood and youth.

white lily- purity, chastity.

white lily ( lilium candida L.)

Lily orange- hate, revenge. The one who gives you an orange lily hates you and wants revenge on you.

Lily bulbous ( Lilium bulbiferum L.)

tiger lily- wealth, abundance.

tiger lily ( lilium lancifolium Thunb.)

Tiger lily variety "Flore Pleno" in Osaka Prefectural Flower Garden, Osaka, Japan.

Licorice, red spider lily, resurrected lily- we will never meet again, forget about me, rejection, resignation, loneliness.

Red spider lily ( Lycoris radiata Herb.).

red spider lily - amazing flower. When the flowers bloom licorice its leaves are falling. Conversely, when the leaves grow, the flowers wither. This property licorice spawned many legends in Japan and China. One of the most famous Chinese legends about licorice tells about two elves Manju (who guarded the flowers) and Saka (who guarded the leaves). Which one was a boy, which one was a girl, I don't know. And I'm not sure that there are elves in China, but they were some kind of fabulous Chinese creatures. And then one day, out of curiosity, they left their posts, left protected plants, met and fell in love at first sight. But God did not like their willful act. He decided to punish them, separated the unfortunate couple of lovers and imposed a terrible curse: Manju flowers should never meet Saka leaves.

Some other ancient Japanese legends tell that if a person breaks up with someone whom he can no longer see again, then flowers will bloom along his further life path. red spider lily. Thanks to these sad legends, licorice in Japan it is often used at funerals, it is planted in cemeteries. Popular Japanese name red spider lily- Higanbana. It is believed that these flowers decorate life and brighten up the existence in the afterlife.

red spider lily- very beautiful flower. In Japan, it is used as an ornamental plant, to decorate parks and gardens. blooms licorice usually around the autumnal equinox.


Tulip red- charity, mercy, trust, faith, hope, glory, fame.

tulip yellow- unrequited love.

Fringed yellow tulip variety "Hamilton".

Magnolia- a real, natural, normal, laid-back, most suitable person.

Magnolia obovate or Japanese large-leaved magnolia ( Magnolia obovata Thunb.). The photo was taken in Tokyo (Machida city, Tokyo, Japan).

Lavender- faithful, devoted, truthful, trustworthy.

Lavender fields in Nakahurano, Hokkaido, Japan.

Edelweiss- courage, strength, power.

In the photo on the right: Japanese edelweiss ( Leontopodium japonicum Miq.)
Photo: Σ64.